Centered on poems about the natural world, this lesson encourages students, first, to make the reading of poetry a creative act; and, second, to appreciate particular literary devices in their functions as semaphores or interpretive signals.
Known as both a Southern and a Catholic writer, Flannery O'Connor wrote stories that explore the complexities of these two identities . In this lesson, students will challenge these dichotomies while closely reading and analyzing "A Good Man is Hard to Find."
Through their interpretation of primary documents that reflect Victorian ideals, students can learn the cultural expectations for and limitations placed on Victorian women and then contemplate the writer Charlotte Brontë's position in that context. Then, through an examination of the opening chapters of Jane Eyre, students will evaluate Jane's status as an unconventional Victorian heroine.
The historian and literary critic Paul Fussell has noted in The Great War and Modern Memory that, "Dawn has never recovered from what the Great War did to it." With dawn as a common symbol in poetry, it is no wonder that, like a new understanding of dawn itself, a comprehensive body of "World War I Poetry" emerged from the trenches as well.
Students study select court transcripts and other primary source materials from the second Scottsboro Boys Trial of 1933, a continuation of the first trial in which two young white women wrongfully accused nine African American teenagers of rape.
The activities in this lesson invite students to focus on the characters from A Midsummer Night's Dream, to describe and analyze their conflicts, and then to watch how those conflicts get resolved.
Allegories are similar to metaphors: in both the author uses one subject to represent another, seemingly unrelated, subject. However, unlike metaphors, which are generally short and contained within a few lines, an allegory extends its representation over the course of an entire story, novel, or poem. This lesson plan will introduce students to the concept of allegory by using George Orwell’s widely read novella, Animal Farm, which is available on Project Gutenberg.
This unit on the Japanese poetic form tanka encourages students to explore the structure and content of the form and to arrive at a definition of the tanka’s structure in English. Students will read and analyze the tanka form and compare it to English structures of poetry, and will finally compose their own tankas.
This lesson engages students in the reading and writing of the ghazal, a public, participatory poetic form created by the ancient Bedouins of Arabia and Persia. Students examine the structure of the ghazal, which continues as a poetic form in India, Iraq, and Iran, to derive a definition of this intricate form of word-play, and collaboratively compose their own group ghazals.
In addition to being an accomplished novelist, George Orwell was also an experienced essayist. Among his most powerful essays is the 1931 autobiographical essay "Shooting an Elephant," which Orwell based on his experience as a police officer in colonial Burma. Through close reading of this piece, students will be engage deeply with the text and discuss the major literary tools present in Orwell's writing.
